Visible Light, Grade 8

Nothing is visible until light from it reaches your eye.

That sentence is the whole topic, and it is the question a Grade 8 class is almost never asked. A learner can name every light source in a photograph and still have no way to explain how they see the grass.

And once light does reach the eye, something has to focus it. The eye diagram most learners are handed labels the cornea, the pupil, the retina and the optic nerve, and leaves out the part that does the focusing. This page puts it back.

Where this fits in the curriculum

Subject Natural Sciences
Grade 8
Term 3
Strand Energy and change
Topic Visible light
Status Informal activities. Nothing in this topic is prescribed for formal assessment
Marks 50 on our worksheet. The topic revision section is 25

Luminous objects, and everything else

A luminous object makes its own light. An illuminated object only sends light back.

Luminous Illuminated
The Sun, a flame, a bulb, a screen Everything else in the room

The Moon is the one that catches a class out. It is bright, it is in the sky, and it makes no light of its own at all.

So how do you see a wooden desk? Light from a lamp or a window falls on it, the desk reflects some of that light, and some of the reflected light reaches your eye. Three steps, and a learner who cannot draw those three arrows has not understood the topic yet.

Light travels in straight lines

Every diagram in this topic rests on it. A ray is drawn as a straight line with an arrow on it, and it does not bend unless it meets a new material.

Shadows are the proof. If light could bend round a box there would be no shadow behind it.

The speed of light

300 000 km per second, or 3 x 108 m per second.

Sunlight takes 8 minutes 20 seconds to reach us. Check it: 150 000 000 km divided by 300 000 km per second is 500 seconds, and 500 seconds is 8 minutes 20 seconds.

You may meet a question asking how far away a star is if its light takes 20 minutes to arrive. The arithmetic works and the astronomy does not. The Sun is 8,3 light minutes away and the next nearest star is over four light years away, so no star is 20 light minutes from here. Ask it about a planet instead: Mars is between roughly 3 and 22 light minutes away depending on where the two planets are, so the numbers are real. That is how our worksheet asks it.

Practical 1: build a pinhole camera

This costs nothing. A shoebox, a pin and a piece of tissue paper.

  1. Paint or line the inside of the box black. Light bouncing around inside is what washes the image out
  2. Make one small hole with a pin in the centre of one end
  3. Cut a window in the other end and tape tissue paper over it. That is your screen
  4. Put the lid on, stand with your back to a bright window and point the pinhole at something bright

You will see a dim, sharp, upside down image on the tissue.

Change this What happens Why
A bigger hole Brighter and blurrier More light gets in, but from more directions at once
A smaller hole Dimmer and sharper Each point on the object maps to one point on the screen
Move closer to the object A larger image The rays spread more inside the box

Why it is upside down. A ray from the top of the object passes through the hole and carries straight on downwards, landing at the bottom of the screen. A ray from the bottom carries on upwards. Straight lines cannot bend to keep the picture the right way up.

Build this before you teach the eye. The eye does the same thing, and the brain is what turns the result over.

The spectrum of visible light

White light is all the colours together. A prism separates them because each colour bends by a different amount.

Colour Wavelength Frequency Bent
Violet Shortest Highest Most
Indigo, blue, green, yellow, orange In between In between In between
Red Longest Lowest Least

That is also why you cannot state a frequency for white light. White is a mixture, not a colour, and each colour in it has its own frequency.

The seven spectral colours are not the primary colours

You will see violet, indigo, blue, green, yellow, orange and red called the primary colours of light, sometimes twice in the same unit, and then called "the seven colours that make up white light" shortly afterwards. Both cannot be right.

What they are How many
Spectral colours What white light separates into in a prism Seven
Primary colours of light The colours that mix to give white Three: red, green and blue

Why it matters more than a name. The topic goes on to ask what happens when seven torches of different colours shine on the same spot. The answer is white, and that only makes sense once a learner knows that mixing light adds up. A class taught that all seven are primary colours has been given no way to understand it.

And red, yellow and blue are the primary colours for paint, not for light. The two sets get swapped constantly.

Practical 2: dispersion through a prism

You need a bright lamp or a phone torch, a piece of card with a 2 mm slit cut in it, a triangular prism from our acrylic prism and lens set, and a sheet of white card.

  1. Stand the slit card in front of the lamp so a narrow beam comes through
  2. Stand the prism in the beam on white paper
  3. Turn it slowly until a band of colour appears on card held an arm's length away
  4. Write down the order of the colours, and which end has moved furthest from the original beam

Violet ends up furthest, red least. If nothing appears, the slit is too wide or the room is too bright: 2 mm and the darkest corner you have.

A rainbow is the same thing in a raindrop, three times over. Light bends going into the drop, reflects off the inside of the back of it, and bends again coming out. The two bends separate the colours and the reflection is what sends the light back towards you, which is why your back is always to the Sun when you see one.

Practical 3: shadows, and the one measurement in this topic

Free, and it is the only activity here that produces numbers instead of adjectives.

  1. Stand a shoebox upright on a large sheet of paper, with a bright lamp 100 cm away
  2. Trace round the shadow and measure it
  3. Calculate the area in square centimetres
  4. Move the lamp to 50 cm and repeat. Then 25 cm
Lamp distance Shadow Area
100 cm Close to the size of the box Smallest
50 cm Noticeably larger Larger
25 cm Much larger, softer edges Largest

Calculating the area is what makes this an investigation. A class that writes "bigger" has made an observation.

Why it happens: light spreads out from a small source, so the closer the object sits to it the wider the cone of light it blocks, and the larger the shadow it throws.

Opaque, transparent and translucent

Word What it does Example
Opaque Blocks light. Absorbs or reflects it A brick wall, foil
Transparent Passes light clearly Window glass
Translucent Passes light but scatters it, so no image A frosted bathroom window

A window does two things at once. Most of the light goes through, which is why you can see out, and a small part reflects off the glass, which is the faint image of yourself you see at night. It is easier to see after dark because there is no bright light coming the other way to swamp it.

Why an object has the colour it has

A material has colour because it absorbs some colours and reflects the rest.

In white light Absorbs Reflects Looks
A red wall Everything except red Red Red
A white page Almost nothing Everything White
A black jersey Most of everything A little of everything Black

You will meet "all black objects absorb light, so no light will travel from that object to your eye", followed within a line or two by "we can see black objects because they reflect some light". The second one is right. A black object absorbs most of the light and reflects a little, and if it reflected nothing at all you could not see it. Something that reflects no light is not black, it is invisible.

You will also meet "a mirror absorbs no light". A household mirror absorbs roughly 5 to 10 % of the light that falls on it. Stand two mirrors facing each other and the reflections fade away to black instead of going on forever. That fade is the absorption.

Put a yellow flower under blue light only and it looks almost black. There is no yellow light in the room for it to reflect, and it absorbs the blue that is there. Ask a class to predict it before you explain it: most of them say it stays yellow.

Mixing light is not mixing paint

This is the best thing in the topic and it is almost never named.

Start with Add more End with
Light, adding up Darkness Each colour adds to the total White
Paint, taking away White paper Each pigment absorbs more colours Muddy brown, then near black

Two questions sit next to each other in most classroom material: shine seven coloured torches on one white spot, and mix seven paints of the same colours. The results are opposite, and the reason is never given a name.

  • Light is additive. Red, green and blue light together give white
  • Paint is subtractive. Each pigment removes more colours from the white light falling on it, so more paints leave less light

A hand driven colour disc settles it in five seconds. Spin the seven-colour disc and it goes off-white. Predict the result out loud first, and say that off-white rather than pure white is correct, because printed inks are never pure colours.

Measuring the angle from the normal, and the 35 degree trap

Every angle in this topic is measured from the normal, and this is where marks are lost.

The normal is a line drawn at 90 degrees to the surface, at the point where the ray hits it. The rule is that the angle the ray leaves at equals the angle it arrived at, both measured from the normal, and that both rays and the normal lie in the same plane.

THE TRAP. A diagram in circulation marks 35 degrees between the incident ray and the mirror surface, then asks for the angle the ray reflects at.

35 degrees from the mirror is 55 degrees from the normal. So the answer is 55 degrees, and a learner who writes 35 has read the picture exactly as it is drawn and is marked wrong.

Draw the normal in yourself, on the board, before the class attempts anything like it. It is worksheet question 5.1.

For the measured practical with a protractor, see our mirror practical for the senior grades, which runs it properly.

Practical 4: a mirror, flat foil and crumpled foil

Free. A mirror, a smooth piece of tin foil, and the same piece crumpled and flattened out again.

Surface Can you see your face? What the light does
Mirror Yes, clearly Every ray leaves in the same direction
Smooth foil Poorly Mostly one direction, some scatter
Crumpled foil No, but it is just as bright Scattered in every direction

All three obey exactly the same rule at every point on their surface. What differs is the surface: on crumpled foil each tiny facet faces a different way, so the rays leave in all directions and no image can form. A learner who says the foil "does not obey the rule" has the observation right and the physics wrong.

It is also why you cannot see your face in white paper, which is as bright as a mirror and scatters everything.

Bending light: a glass block and a prism are different things

They get called the same thing, and they do not behave the same way.

Shape What the ray does
Glass block Rectangular Bends going in, bends back coming out, and leaves parallel to how it arrived, shifted sideways
Prism Triangular The faces are not parallel, so the ray leaves in a new direction and the colours separate

Going into the glass the ray bends towards the normal. Coming out, away from it. Dashing in the path the ray would have taken with no glass there is the clearest way to show it.

The bent pencil in a glass of water is the same effect. Light from the submerged part bends as it leaves the water, so it appears to come from somewhere it does not.

The full ray-tracing practical belongs to the senior grades. Our glass block practical runs it with pins and a protractor. Do not spend a Grade 8 period on it. Show the effect and move on.

Convex and concave lenses

Lens Shape Parallel rays
Convex Thicker in the middle Brought together at a focus
Concave Thinner in the middle Spread apart

A curved surface obeys the same rule as a flat one. The normal is drawn to the tangent at the point the ray hits, and because the tangent points a different way at every point on the curve, each ray bends by a different amount. That is what brings them to a focus.

A magnifying glass is a convex lens a learner can hold, and focusing sunlight to a bright point on paper shows a focal point better than any diagram. Outdoors, on paper on the ground, with the teacher holding the lens.

Convex lenses are in every camera, every pair of reading glasses and every microscope, which is where this topic goes next.

The parts of the eye, including the one that gets left out

Part What it does
Cornea The clear front window, and it does most of the focusing. Not just a protective covering
Pupil The hole the light passes through
Iris The coloured ring that changes the size of the pupil
Lens Fine-focuses the image, and changes shape to focus near or far
Retina The light-sensitive layer at the back, where the image forms
Optic nerve Carries the signal to the brain

Many eye diagrams label the cornea, the pupil, the retina and the optic nerve, describe the cornea as a protective covering, and show no lens at all.

Nothing in that version explains how the image is focused. The cornea and the lens do it together: the cornea provides most of the bending, and the lens changes shape to fine-focus, which is exactly what happens when you look up from this page at something across the room.

A learner who has only seen the four-label diagram has no answer available when asked how the eye focuses.

The image on the retina is upside down, for the same reason the pinhole camera image is, and the brain turns it the right way up.

Practical 5: the hole in your hand

One sheet of A4 per learner, thirty seconds, and every learner can do it at their desk.

  1. Roll the A4 into a tube and hold it to your right eye
  2. Hold your left hand, palm towards you, against the far side of the tube, touching it
  3. Look with both eyes open

There is a hole straight through your hand. The right eye is being shown the view down the tube and the left eye the palm, and the brain combines the two.

It belongs in this topic because it is the cleanest evidence that what you see is assembled by the brain, not delivered whole by the eye.

Why is the sky blue?

Air scatters short wavelengths far more strongly than long ones.

Blue light bounces off air molecules in all directions on its way down, so it arrives at your eye from the whole sky rather than only from the direction of the Sun. Red light mostly carries straight on past.

Violet is scattered even more than blue, and the sky still looks blue, for two reasons: the Sun sends out less violet than blue, and the eye is much more sensitive to blue than to violet.

At sunset the light has to travel through far more air to reach you, so almost all the blue has been scattered out sideways before it arrives, and what is left is red and orange.

Safety

  • A laser is a teacher's tool at the front of the room, or it is not used at all. Never hand one to a learner, never at or near eye level, never aimed at a person or at a shiny surface at head height
  • Never look at the Sun, and never through a lens, a prism or a pinhole. Point the pinhole camera at a bright window or a lit scene
  • Focusing sunlight belongs outdoors, on paper on the ground, with the teacher holding the lens. It will set paper alight, which is the point, and it burns skin just as well
  • Check glass prisms and lenses for chipped edges as they go out and come back
  • Lamps get hot. Let them cool before they are packed away

Published material suggests a laser pointer for the mirror work and gives no safety instruction with it at all. There is no reason a Grade 8 class needs one. A lamp behind a 2 mm slit in card does everything a laser does here, at a fraction of the risk and a fraction of the price.

If it does not work

Problem Cause Fix
The pinhole image is a grey blur Hole too big, or light leaking in Smaller hole, tape the seams, black inside
No pinhole image at all Not enough light on the subject Back to a window, box pointed at something bright
No colours from the prism The slit is too wide 2 mm, and hold the card an arm's length away
Colours, but very pale Room too bright Curtains, or the darkest corner
The shadow will not trace Lamp too far away or too diffuse One small bright source. A phone torch beats a ceiling light
The class answers 35 degrees They read the angle off the mirror Draw the normal in first, every time
The colour disc goes grey, not white Printed inks are never pure Off-white is the correct result. Say so before you spin it
Nobody sees the hole in the hand Hand not touching the tube, or one eye shut Both eyes open, hand against the tube

How the 50 marks are made up

Part Marks
Seeing, sources and straight lines 10
The spectrum and dispersion 10
Shadows, opaque and transparent 8
Colour, absorption and mixing 10
Mirrors, glass blocks and lenses 8
The eye 4

Nothing in this topic is prescribed for formal assessment. The topic revision section is 25. Our worksheet is 50 and the split above is ours.

Free worksheet and marking memo

Both free, no sign up, straight to the PDF.

  • Learner worksheet, 50 marks, including the 35 degree question, the shadow area table and the planet version of the speed of light sum
  • Marking memorandum, with what to accept for each answer and the eight answers that look right and score nothing

Related practicals

What you need to run it, and what we cannot supply

Four of the five practicals on this page cost nothing. The pinhole camera needs a shoebox, a pin and tissue paper. The shadow measurement needs a lamp and a sheet of paper. The foil practical needs a mirror and tin foil. The hole in the hand needs one sheet of A4.

We will be straight with you about the rest. There is no class set for this topic in our range at the moment.

What a class set needs Where we stand
Plane mirrors, six of them We do not stock a plane mirror line at all
Ray boxes Out of stock, every model
Single convex lenses Out of stock. Our concave lenses are in, which is the wrong way round for teaching
Torches and colour filters Not stocked. A phone torch and a slit in card do the job

All four are being sourced. Until then, here is what we can actually send you, and it is a demonstration set for the front of the room rather than a set per group:

Item Price What it is for
Acrylic prisms and lenses, 6 pieces R760 Dispersion, and a convex and concave lens in the same box
Hand driven colour disc R500 Mixing light. Nothing else in the range demonstrates it
Glass lenses, set of six in a case R500 Convex and concave together, in glass
Magnifying glass, 50 mm R35 A convex lens a learner can hold
Crookes radiometer R250 Optional. Light carries energy, and it spins to prove it

If you buy one thing off this page, buy the colour disc. Mixing light is the single thing this topic explains worst, and a spinning disc settles it in five seconds for a class of thirty.

For a learner building a project at home, the laser alarm kit at R66 has the mirrors and the light sensor in one packet, and it is a reflection project that ends with something that actually works.

The rest of the range is in light and optics.